The Architecture of Freedom
Workshop on composition for improvising orchestra
The content is genre-spanning, open to all instruments and voices and is based on graphic and dramaturgical modules.
Work on the implementation of the composition “Material Symphony” can be enriched with exercises on collective timing and rhythm flow, as well as exercises on “dramaturgy of free improvisation.”
Topics of the workshop: Movements in the orchestra room – Music from language – Fields of materials – Collective traditions – Cosmic Stories.
The Workshop Series
Practical elaboration of the topics of the workshop on 5-6 different days. Each of the days deals with the practical research and elaboration of a different chapter of the five topics of the workshop. The concert conclusion shows the result of the intensive orchestral work.
The Workshop Block
Practical elaboration of the five topics of the workshop on 1-2 days with concert conclusion.
The Architecture of Freedom
Based on the current work MATERIAL SYMPHONY, saxophonist and composer Norbert Stein presents his conception of “Composition for Improving Orchestra” in 5 thematic focal points.
As part of his patamusik, the composer creates an “Architecture of Freedom,” which combines contemporary composition with improvisation with clear elaborations of sound patterns, musical structures and staged spaces.
So far, this concept has found its artistic expression in many promising projects, including “Graffiti Suite” (NDR Bigband); James Choice Orchestra; Pata Poetry Orchestra; “Pata Java” etc …
Themes of the lecture: Movements in the orchestra room – Music from language – Fields of materials – Collective traditions – Cosmic Stories.
On the origin story
My many years of work in the area of contemporary orchestral music, the involvement with the development of modern compositional languages and the cooperation with non-European cultures made possible by the Goethe Institute in numerous concert tours have led the composer Norbert Stein to develop an effective musical sign language for larger ensembles.
The development of my graphic notation has led from the orchestral composition”die fünf Tage” (Pata Orchestra/Moers Jazz Festival) to numerous European encounters(including the encounter with the French musicians collective ARFI “News of Roi Ubu“) and all the way to creative applications in various international collaborations.The work with graphic notation techniques was successfully applied in the projects with musicians in Brazil (“Pata Bahia“) or the cross-border encounter with a gamelan orchestra in Indonesia (“Pata Java”).
Mit großem Erfolg wurde die mehrteilige, auf grafischer Notation basierende Komposition “Graffiti Suite“ durch die NDR Bigband realisiert und auf CD veröffentlicht. Excerpts of the score of this work were published in the anthology “Notations 21” by American musicologist Theresa Sauer.
In a clearly structured form, the composition MATERIAL SYMPHONY creates fascinating orchestral events that are rich in imagery: sound sculptures, sound worlds, orchestral movements and exciting spaces for improvisers. Due to the special graphic notation, the musical events are clearly defined, but at the same time remain open to tone colorations, interactions and forces of the expressive improvised moment.
With the orchestra project MATERIAL SYMPHONY, contemporary music is created that not only springs from the modern tonal language of New Music, but also expresses the power and spiritual depth of improvised music and jazz to a high degree. Thanks to the underlying highly developed graphic symbols and the clear compositional signs that have already proved their worth in many projects, it is possible to effectively create an artistically high-quality orchestral event within a relatively short space of time.
In the illustrative scenes of the MATERIAL SYMPHONY, exciting musical spaces open up which, beginning from the art of improvisation, demonstrate a fascinating spectrum of the expressive possibilities of contemporary orchestral music.